Essay regarding Research in Tips penalized Good Emcee


by Beth Horner

The following info is based on Beth's workshop KEEPING IT ALL COLLECTIVELY: THE ULTIMATE EMCEE. To find out more on her workshop, check Beth's website in www.BethHorner.comor get in touch with her at [email protected] net or 888-443-3816. For additional information concerning the importance great emceeing by storytelling incidents, see Beth's article THE IMPORTANCE OF A VERY GOOD EMCEE, excerpted in the September/October issue from the National Storytelling Magazine and provided completely on Beth's website. The content also is made up of a much less detailed pair of tips on good emceeing.

" The Emcee is one of the most critical roles in an event. ” David Holt, Storyteller, Music performer, Producer, Emcee " The Emcee is a glue that holds a storytelling nighttime together. ” Susan Klein, Storyteller, Producer, Emcee " It's a hard job … it's a great honor and a responsibility to share the job of others with an audience. ” Dovie Thomason, Storyteller, Emcee


by simply Beth Horner •

Why is your roll while Emcee so Important?

The emcee is the storytelling event's agent, is the connect between manufacturers and tellers and viewers, sets the tone for a concert or perhaps festival established, determines the energy level throughout, is responsible for keeping on schedule and establishes the sort of community feeling the event may have. Depending on the circumstance, the emcee often has on many hats: artistic director of a set, venue planner, stage administrator, stagehand, nicely lighting specialist, intro/outro copy writer, community constructor, pitch person, clock watcher, trouble present shooter, energy gatherer, care taker, point person of oneon-one audience responses (both great and negative), first aid experienced, nerve more calm, cheer leader and puppy catcher! And, the emcee must wear each head wear with elegance and appeal! It is an crucial, demanding job requiring strength and skill. No pressure though!!! Here are some things I have learned over the years, arranged as follows: 1 . 2 . 3. 4. Before the Demonstrate At the Overall performance Site During the Program Closing the Program

To put it briefly, be prepared, end up being warm and succinct, steer clear of in jokes, be adaptable, keep a fantastic read on enough time and on the audience's requirement of a stretch, socialise. And, understand that the event can be not about who you are -- it can be about the stories, the storytellers as well as the listeners.

1 . Before The Display: Prepare Yourself.

• • • • Know what to do and who to make contact with in case of crisis. Familiarize yourself with checklist of notices so that when you are up on level, you can quickly fishing reel them off rather than browsing them word after word at a ponderous speed. Think about how you plan to make the program. Think about your introductions. Do not decide to read in the printed software. If you don't understand the storytellers' job, read about all of them or head to their internet site to pick out brief gems here and there that you can use.

In planning the introductions, I recommend the following: a) Be brief and to the point b) Avoid feedback on personal appearance. Steer clear of cultural stereotypes.

c) Stick to discussing their work rather than telling reports indicating your personal relationship with them (unless appropriate in addition to the teller's permission). d) Avoid hyperbole. Indicate that the audience is approximately to hear an exclusive person, without the need of the teller to have to meet an not possible expectation. e) Multi-session occasions. If you are emceeing at a multi-day function, try to use a different introduction every time you introduce someone teller. Introductions can get shorter as the big event progresses mainly because audience people will have arrive to know the teller themselves. f) " First, Perform No Harm”. Most important, make certain that your truth is correct and you know how to enunciate the teller's name. Question them ahead of time and confirm that pronunciation. If you do nothing else to prepare, ensure that you can pronounce their identity. g) If perhaps there...